Art and Fashion

In an immersive mixed media tapestries, Lillian leaves reflect patterns and existence – huge

Lillian Blades revels in the interaction of light, materials and space, creating vast and immersive devices that reflect the way we experience patterns and textures. By the veilnow presented at the Sarasota Art Museum is the artist’s first institutional solo exhibition, bringing together a series of large-scale works by artists located in Atlanta.

The blades use a multimedia approach to tapestries, combining fabrics, stained glass, wood, acrylic and found materials to create a scintillating surface. She paused some of the debris from the ceiling, winding through the gallery’s spaces, such as mixed media curtains, while other combinations hung on the wall. Colored light bounces onto the floor, loose lattices cast dramatic shadows onto surrounding walls.

“Perenic Plants” (2024)

“My patchwork veil is a wired tapestry for images and textures…I want it to feel complex but simple at the same time,” Blades said. “I want the details and objects to come with memory and trigger the audience’s association with certain patterns and textures.”

By the veil Continue in Sarasota until October 26. Find more information on the artist’s website and on Instagram.

Installation view of colorful mixed media tapestry installation
Details of rectangular colored materials, which are part of the hanging tapestry installation
Hanging mixed media tapestries are made of black material, casting shadows on gallery walls
Colorful mixed media tapestry installation casting shadows on the wall
Abstract wall artwork made by assembling many different materials
Colorful mixed media tapestries installation
Installation view of hanging mixed media tapestries
Installation view of “through the veil” at Sarasota Art Gallery
Artist Lillian Blades stand on footstool and works on a hanging mixed media tapestries installation
The artist who works in her studio. Marie Thomas’s photo



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