Art and Fashion

Kerry James Marshall’s over 70 iconic works conducted a major survey in the UK – Huge

Kerry James Marshall’s vibrant paintings, with the help of art historical materials, contemporary culture and comics, boldly challenge the past. The Chicago-based artist (formerly) often studies the themes of race, identity, heritage and representation, as well as bridges history and present through monumental portraits of black people and imagines a better future.

In the largest survey of artists’ works presented outside the United States, Royal Academy of Arts host Kerry James Marshall: History. The exhibition, in collaboration with Kunsthaus Zurich and Musée D’Art Moderne, will open next month and offer over 70 works that cover the artist’s career so far. The show also includes a huge oil painting commissioned for the Chicago Public Library, titled “Knowledge and Miracle,” which was borrowed for the first time.

“Cosmetology Academy, Culture Academy” (2012), Acrylic and Glitter, Unrivaled Canvas, 274.3 x 401.3 cm. Collection of the Birmingham Museum of Art, Alabama; the museum purchased funds provided by Elizabeth Smith, a collector circle of contemporary art, Jane Comer, Sanko Law Society and General Acquisition Fund, 2012.57. Photo by Sean Pathasema. ©Kerry James Marshall. Courtesy of New York Artist and Jack Shainman Gallery

history 11 groups of works created by the audience are invited through a journey of theme and style. The exhibition opens with the “Academy” drawn in 2012. The male model in the Life Drawing Class is located in front of the pattern background, looking directly at the audience, providing the iconic fist of the Black Power Movement.

Marshall has long been instructors of European art in museums and books, where he recognizes the lack of black figures. By the 1980s, he focused on the idea of visibility and created the groundbreaking work “The artist’s portrait is a shadow of his former self”, which emphasized his interest in facing stereotypes.

Marshall usually works in a tandem or cycle manner, often involving epoch-making societal and political paradigms of the past, such as slavery and the middle passage, the black power and civil rights movement, and the historical omissions of people of color in the Western painting tradition. His work often highlights African-American experiences and enhances daily activities and interactions, such as gathering in a barber shop, relaxing in the park, and hanging out on the porch. Marshall believes that the past can be a tool for the future.

Kerry James Marshall: History Opened on September 20 and lasts until January 18 in London. Plan your visit on the RA website.

A black man by Kerry James Marshall, a black man standing on a small wooden platform surrounded by colorful patterns and blankets
“Academic” (2012), Acrylic on PVC, 182.9 x 154.9 cm. Collection of Dr. Daniel S. Berger, © Kerry James Marshall. Image courtesy of New York Artist and Jack Shainman Gallery
A panoramic painting by Kerry James Marshall, many black children face the murals to show the audience
“Knowledge and Miracle” (1995), Oil on Canvas, 294.6 x 698.5 cm. Chicago City Public Art Project and Chicago Public Library, Legler Regional Library, © Kerry James Marshall. Photos of Patrick L. Pyszka, Chicago
A painting by Kerry James Marshall, two black figures travel through the pastoral scenery, the composition is surrounded by pink and the painting is graffiti
“Vignette #13” (2008), Acrylic on PVC panel, 182.9 x 152.4 cm. Susan Manilow Collection. ©Kerry James Marshall. Image courtesy of New York Artist and Jack Shainman Gallery
A painting by Kerry James Marshall, a black police officer
“Unt Title (Police)” (2015), Acrylic on PVC panel with plexiglass frame, 152.4 x 152.4 cm. Museum of Modern Art, New York, gift from Mimi Haas in memory of Marie-Josée Kravis, 2016. ©Kerry James Marshall. Photo courtesy of the Museum of Modern Art in New York/Scala, Florence
Kerry James Marshall
“Unt title (porch deck)” (2014), Acrylic on PVC panels, 180.3 x 149.9 cm. Kravis Collection, © Kerry James Marshall. Image courtesy of the artist and David Zwirner of London
Kerry James Marshall's painting of black figure in barber shop
“de style” (1993), acrylic and collage on canvas, 264.2 x 309.9 cm. The Los Angeles County Museum of Art, which is purchased with funds provided by Ruth and Jacob Bloom. ©Kerry James Marshall. Photo: © Museum Association/LACMA
Kerry James Marshall
“Unt Title (Blanket Couple)” (2014), Acrylic on PVC panel, in the artist’s frame, 150.2 x 242.5 cm. Fredriksen’s Family Art Collection, © Kerry James Marshall. Image courtesy of the artist and David Zwirner of London

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