See at the Camille Pissarro exhibition at the Denver Museum of Art

Nearly 100 works of art by Impressionist painter Camille Pissarro and related Ephemera are expected to exhibit “Honest Eyes: Impressionism of Camille Pissarro” next month at the Denver Museum of Art (DAM).

Dam is the only institution in the United States to host artists’ first major performances in 40 years. The exhibition is coordinated with Barberini, a museum in Potsdam, Germany, the only other site of planning for the exhibition.

Jacob Abraham Camille Pissarro was born in 1830 in French and Portuguese Jewish parents on St. Thomas, and was part of the Dutch West Indies. He established connections with family businessmen business, became an artist, then married a family maid, and established his own family in France. Pissarro is the only painter to be shown in all eight Paris Impressionist exhibitions.

Through Pissarro’s Impressionist paintings, the show considers the hardships and values ​​of the artist’s personal relationship, which include his family, working-class neighbors, the surrounding landscape, and the celebratory companions Claude Monet, Paul Cezanne, Paul Cezanne, Paul Gauguin, Edgar Gauguin, Edgar Degars, George Seurat, George Seurat, George Seurat, Pierre-auguste Renoir and Mary Cassatt.

A gallery dedicated to Pissarro’s early, lesser-known works inspired by his life in the Caribbean and Venezuela will also be exhibited.

Among them are some of the most important paintings in Pissarro’s works, but in the United States, some of which have never been displayed in the United States, however, the Dam iteration also includes many Pissarro’s works, borrowed works from American museums such as the National Gallery in Washington, D.C., USA.

“Pisarro is a real international metropolis, and that makes his life so interesting,” dam director Christoph Heinrich told The Denver Gazette. “Someone believes we are all together. Pissarro shows people the dignity of people. Today, ‘respect’ may be an old-fashioned term that no one wants to take seriously, but Pissarro shows us respect for the environment and approach of life and lifestyle. There is this true humanistic condition in all his work and in all his statements, and all his statements, and his view of life, absolutely speech.”

Despite the high auction record today, his 1897 canvas Le Boulevard Montmartre, Matinéede Printemps For example, in 2014, the artist’s life was acquired for as much as $32.1 million, characterized by hardships, especially the cost of his personal and artistic freedom.

Nevertheless, symbiotic Angelica Danio still adds: “Pesarro is still full of hope. He knows the turbulent times, the economic hardship, the political tensions. However, through his paintings, his letters, his letters, his actions, his desires, show an unwavering hope and willingness to move forward. There is a lot from Pissarro to learn from Pissarro, which is more inspiring than others, who can provide them with something that can inspire them, and their lives can be inspired.

From October 26 to February 8, 2026, “Honest Eyes: Impressionism of Camille Pissarro” debuted on the dam.

Here is a closer look at some of the paintings in the show.