Art and Fashion

Zhou Yanyan embraces change in a whimsical realm full of water drops – huge

With a keen interest in kaleidoscopic colors and whimsy, Yen Yen Chou creates sophisticated, dreamy environments dominated by pastel tones and subtle gradients. The artist, who lives between Taipei and Brooklyn, is drawn to dualities, particularly the relationships that arise from “the ephemeral and the physical, the micro and the macro,” she says. At the Kishka Gallery and Library, Yen Yen presents two working modes—watercolor on paper and epoxy clay relief—that evoke the magic of polarity.

Changing perspectivesAs the name suggests, change is fundamental. Water droplets appear repeatedly throughout the work, for example, in “Ripples” where they fall from a slender line into a whirlpool, and in “Leaf of Becoming” where they appear as anthropomorphic, dozing characters. When suspended on panel or paper, these forms imply movement as they eventually evaporate or merge with a larger body.

“Ripples” (2025), acrylic and epoxy clay on wood panel, 37 ½ x 25 inches

But for now, Yen Yen paints a whimsical world on the edge of possibility. “These new works continue my exploration of transformations and interconnections in everyday life. I have been thinking about dualities… and how these relationships shape the way we experience life through our thoughts, perceptions and emotions,” she wrote.

Changing perspectives Open until November 22 in White River Junction, Vermont. Find out more about Yen Yen on Yen Yen’s website and Instagram.

Rainbow-colored water droplets emerge from a tiny dot, by Yen Yen Chu
“Rainbow Lady” (2023), acrylic on epoxy and foam, 15 x 5 ½ inches
Yen Yen Chu's abstract work features two radiating forms surrounded by circular fragments
“Staring at the Lost Sky” (2025), watercolor and gouache on paper, 12 x 16 inches
Blue and purple relief composed of overlapping water droplets by Yen Yen Chu
“Swinging in the Rain” (2024), acrylic and epoxy clay on wood panel, 27 x 22 inches
Abstract work by Yen Yen Chu featuring various swirls and eye shapes
“Daydreamer” (2025), watercolor and gouache on paper, 12 x 16 inches
Sculpture relief by Yen Yen Chu with large water droplets on peach background
“Iridian Path” (2023), acrylic and epoxy clay on wood panel, 26 x 21 inches



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