Art and Fashion

This October, global public art projects turn 35 cities into playgrounds — Colossal

This month, urban centers around the world will host large-scale public art projects hosted by Nōvo Collective. Not in service Fifty-four artists were invited to take part in a global initiative that treats cities as playgrounds, inviting participants to “embed playful, overlooked or quietly provocative gestures into the interstices of everyday life.”

In Stellenbosch, South Africa, Strijdom van der Merwe has installed sun-activated textual works showcasing exciting phrases such as “The visible is the shadow cast by the invisible”. Esif painted tiny pieces of fruit on buildings near his home in Valencia, while Wells painted a series of fragmented portraits on top of Munich’s cultural center.

Vhils, “Antenna” (2025), KUNSTLABOR 2, Munich. Image courtesy of MUCA José Pando Lucas

Perhaps the most eye-catching is the timber-framed building built by Nomad Studio in a park in Castile and Leon, Spain. A series of branches appear to fan out in a circular shape, creating a meditative space with an opening to the sky, allowing light to flow inside.

Not in service Throughout October, works by Cannupa Hanska Luger, Jason deCaires Taylor, Stephanie Brown and many others will be on display in a total of 35 cities. See more information on the project’s website.

stacked logs create an opening in nomadic study's structure
Nomad Studio, “Socarrado (Burned)” (2025), Parque Natural Sabinares del Arlanza – La Yecla, Castile and Leon, Spain
Stacked logs create an opening in Nomadic Studio's structure. A man stands at the opening
Nomad Studio, “Socarrado (Burned)” (2025), Parque Natural Sabinares del Arlanza – La Yecla, Castile and Leon, Spain
Text installation on a white wall by Strijdom van der Merwe that reads "Visible things are shadows cast by invisible things"
Strijdom van der Merwe, “Shadow Words” (2025), Stellenbosch, South Africa
Text installation on white wall by Strijdom van der Merwe
Strijdom van der Merwe, “Shadow Words” (2025), Stellenbosch, South Africa
Sculpture by Leon Reid IV of two hands holding a mobile phone emerging from a white panel with handcuffs on the wrists
Leon Reed IV, Free Will (2025), Bedford-Stuyvesant, Brooklyn. Photo by Leon Reed IV
escif small watermelon painted on the wall
Escif, Infinite Still Life (2025), Valencia. Photo by Esif
escif A small apple painted on the wall
Escif, Infinite Still Life (2025), Valencia. Photo by Esif
Detail of face painted on circular shape by Vhils
Vhils, “Antenna” (2025), KUNSTLABOR 2, Munich. Image courtesy of MUCA José Pando Lucas
Wells’ circular painting installations on buildings
Vhils, “Antenna” (2025), KUNSTLABOR 2, Munich. Image courtesy of MUCA José Pando Lucas
Aerial view of purple and pink fabrics blowing in the wind in a cemetery
Emmanuel Aggrey Tieku, “How to Heal a Broken World – Property Cemetery” (2025), Osu Cemetery, Accra, Ghana

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