Art and Fashion

Renée Condo’s vibrant beaded pieces convey Mi’gmaq’s spirit of empathy — Colossal

Throughout her practice, Renee Condo draws on the philosophical principles of her Mi’gmaq heritage. The Montreal-based artist works with wooden beads, which he sands, paints with bold acrylic paints and then embeds into vibrant works depicting juicy fruit, raindrops and brilliant golden suns.

Apartment interested Mutuor spirituality, and what she calls spiritual knowledge, are actions that arise from empathy and love. Through sculptural pieces that emphasize interconnectedness and flow, the artist draws on Aboriginal creative stories and myths, arguing that her beadwork is a reimagining of various traditions.

“Giju” (2024), wood beads, acrylic paint, epoxy on wood panel, 72 × 60 inches

Condo often engages with the relationship between components and compositions, emphasizing the way in which individual works can appear abstract without a wider context. “The bead as a fundamental entity, as an infinite potential, can appear divided, whole, and partial,” she said, “but it is both complete and all-encompassing, holding the secrets of the world and the essence of reality.”

This fall, Condo’s work will be on display at GAVLAK, where she is also exhibiting. You can find more of her practice on Instagram.

A wooden bead with a cherry emerging from the left side by Renee Condo
“Newt” (2023), wood beads, acrylic paint, clear epoxy on wood panel, 60 × 60 inches
White cherry-shaped round wooden beads by Renee Condo
“Welgwija’latl V” (2023), wood beads, acrylic paint, epoxy on wood panel, 44 × 44 inches
Detail of Renee Condo’s wooden beaded piece, featuring two cherry-like silhouettes
Detail of “Gesiangam’tg 2” (2025), wood beads, acrylic paint, epoxy on wood panel, 60 x 25 inches
Tall oval wooden beaded piece with cherry silhouette by Renee Condo
“Gesiangam’tg 3” (2025), wood beads, acrylic paint, epoxy on wood panel, 60 x 25 inches
Wooden beads by Renee Condo, featuring a yellow circle with blue dots and a light yellow square in the center
“Pgumane’get / To Pick Blueberries” (2022), wood beads, acrylic paint, clear epoxy on wood panel, 60 × 60 × 2 inches
Diptych by Renee Condo consisting of water drops and a yellow round sphere near the top
“Ne’talqigwat: Between Worldviews (a,b)” (2024), wood beads, acrylic paint, epoxy on wood panel, 72 x 60 inches each
Detailed image of Renee Condo’s blue and yellow beaded work
Studio view of “Ne’talqigwat: Between Worldviews (a,b)” (2024), wood beads, acrylic paint, epoxy on wood panel, 72 x 60 inches each
Triptych by Renee Condo, consisting of three beaded panels with a cherry-like shape emerging from the center
“Untitled” (2025), wood panel, wood beads, acrylic paint, resin, each 72 x 48 inches



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