The artistic characteristics of the American Fall “Icon” issue are the information of 5 artists

Each issue American Art My staff and I have raised that, I remember, there are as many ways to be an artist as there are artists, rather than when we publish the annual “icon” question, there is no more. Just like in the past few years, we chose this year’s icons to be artists whose decades of production represent a one-hearted commitment to a unique and profound personal practice.
In these pages, I was shocked by several of the icons. Paul Pfeiffer said in his early video work that he “has become very aware of the grammar of images and the ways in which people are attracted by subtle changes.” Consuelo Jimenez Underwood discovered her artistic voice in textiles: “I have to be PURO HILO [pure thread] get Viejitas [the female elders] She said. On my side. I can hear them ask, ‘What’s wrong with the thread? ‘” David Diao has spent a large part of his career referring to the work of Barnett Newman, who said: “I like the fact that he paints, it’s no doubt. That’s what needs to be done. “The late sculptor Joel Shapiro discovered that “conversion occurs” was discovered when you “actually do physical work with the wood, look at it, cut, change, change it until it somehow meets certain aspects of your unknown intentions.” (Shapiro died in June when we were dealing with this; the ideas he shared with him shortly after the passage of the writer Max Norman made his profile a suitable tribute.)
It is also worth considering the relationship between art and something bigger, with indescribable philosophical, moral and even political aspects. For Tehching Hsieh, who Emily Chun interviewed for this issue’s “Inquiry” column, art is “a part of the groundbreaking and creative part of free thinking,” but “free thinking is something everyone is doing.” He continues:[F]Rethinking means no one can stop you. It belongs only to you and no one can take it away from you. ”
Consuelo Jimenez Underwood sews in her studio in Gualala, California.
Photos Damon Casarez
feature
Automatic powder
Rosemarie Trockel offers lessons to keep curious and weird. Also, special pull-out printing.
Emily Watlington
Sports ghost
Paul Pfeiffer shows how rituals and religion bother sports and films.
By Beatrice Loayza
fact
David Diao hijacked the history of modernism to make it more inclusive.
Alex Greenberger
Pay attention to threads
Consuelo Jimenez Underwood weaves its own way in the complexity of the U.S.-Mexico border.
By Maximilíano Durón
Building bridges
Joel Shapiro divides sculpture into fundamentals, both stupid and serious.
By Max Norman
Don’t know if you see
Several iconic photographers’ anonymous blind photographers are trapped in the presence of media.
By M. Leona Godin
Tehching Hsieh and Linda Montano: Art/Life One Year Performance 1983–1984 (Rope made in collaboration with Linda Montano)
Photos Tehching Hsieh and Linda Montano/Tehching Hsieh/Life Images/hife images/hife dia Art Foundation, New York
department
Datebook
The list of things to experience over the next three months is highly picky.
Edited by AIA
Hard truth
A curator captures invisibility, and the designer wants to know if he is outdated. Also, goblin-themed quiz.
Authored by Chen & Lampert
Vision
Diana Campbell Betancourt, curator of the Bukhara Biennale, tells us what she likes.
Francesca Aton
ask
Tehching Hsieh’s Q&A recounts his year-long performance.
Emily Chun
Object course
Comments for Eric Fischl barbecue.
Francesca Aton
Grand Royals
Monet and Manette – two famous French painters.
Edited by AIA
Newbie
katja seib draws canvas of solid colors and mild mysticism.
Emily Watlington
syllabus
Reading list of crash courses on anti-fascist art history.
By Ara H. Merjian
appreciate
Pay tribute to Dara Birnbaum, who spoke to the media and imagined a new transmission to the future.
Lynn Hershman Leeson
Questions and comments
Will art always lag behind the times in an era of our ever-changing and endless micro-mass?
Louis Bury
spotlight
Malick Sidibé is an architect of Utopia and a supplier of nostalgia.
Emmanuel Iduma
book review
Reading of selected works by Okwui Enwezor.
Lauren Cornell
Cover Artist
David Diao talks about his paintings on the cover Aiya.
Max Hooper Schneider: Written in sand (Fenquita Garden)2025; on the website Santa Fe International.
Photo by Brad Tron
Comment
Berlin
Berlin Diary
Lauren Oyler
Copenhagen
“Kaari Upson: Dollhouse”
Adam Kleinman
hamburger
“Bas Jan Ader: I’m searching…”
Eugenie Brinkema
Miami
“Mildred Thompson: Frequency”
Joseph L. Underwood
Santa Fe
Website Santa Fe International
Emily Watlington
Toledo
“Rachel Ruysch: Nature becomes art”
Kelly Presutti