Art and Fashion

‘We Americans’ Celebrates Puerto Rican Community, Pride, and Cultural Hybridity — Huge

In late September, the NFL caused a stir when it announced that Puerto Rican star Bad Bunny would headline the Super Bowl LX halftime show. He is one of the most watched music artists in the world, and while many fans rejoiced, the news caused a stir among conservatives, who took issue with the fact that he performed primarily in Spanish and criticized the current administration. Bad Bunny has since hit back at the show saturday night liveilluminates the culture wars in America’s polarized political climate.

With Puerto Rican Heritage Month right around the corner, it seems fitting that a group show honoring the island nation and its diaspora community is about to open at Claire Oliver Gallery in New York City. we americansThe exhibition, curated by Ruben Natal-San Miguel, brings together the work of 10 artists whose creations reflect “the history, resilience and cultural contributions of the Puerto Rican community in New York City and beyond,” the gallery said.

Danielle de Jesus, acrylic on US currency

Through photography, painting, sculpture, prints, textiles, and mixed media works, the exhibition highlights Puerto Rican community and identity. The title is taken from “America,” a 1985 poem by Tato Laviera, a rhythmic and joyful celebration of cultural hybridity.

we americans An intergenerational group of artists is highlighted, ranging from acclaimed established practices such as Carlos Rolón, Carlos Betancourt and Danielle de Jesus to fresh perspectives from young and emerging artists such as Felix Plaza, Erica Morales and Elsa María Meléndez.

For example, Natal-San Miguel’s vibrant photographs are taken from his series Puerto Rico: Paradise Ruined, its consequences, In it, he documented the homes and businesses that were severely damaged or destroyed by Hurricane Maria in 2017. Thousands of people were forced to abandon their homes in the aftermath of the storm. “Since the hurricane, an estimated 114,000 to 213,000 Puerto Ricans have relocated to the mainland United States each year,” the artist said in a statement.

A range of media facilitate cross-cultural experiences. De Jesus meticulously painted the front of the house with the Puerto Rican flag on two U.S. one-dollar bills. Meléndez turned to textiles, on which she embroidered portraits and created sculptural elements using a range of patterned fabrics. Bettencourt uses a range of found objects to create assemblages, sculptures and large-scale printed installations.

Square composition by Carlos Betancourt with numerous stars and sparkling shapes on a black background
Carlos Bettencourt, “Age of Light” (2017-18), mixed media including collected tree tops, wires, remote-controlled “wands,” paint, colored pencils, etc., mounted on plywood, 101 x 101 inches

“This exhibition is a celebration as well as an act of conservation, documenting the creativity, power and ongoing impact of Puerto Rican artists through the generations,” Natal-San Miguel said. “Through their work, we see not just individual narratives, but collective stories of immigration, labor, resilience and cultural pride.”

we americans The exhibition opens in Harlem on November 5 and runs through January 3. Please visit the Claire Oliver Gallery website for more information. You might also admire artist Adrián Viajero Román’s portraits that reflect the experience of the Puerto Rican diaspora.

Textile wall installation by Elsa María Meléndez depicting a woman wearing a flowing dress with patterned fabric shapes
Elsa María Meléndez, La Isla de las Nostalgias (2020-24), embroidery on canvas using discarded stuffed stockings and wire, site-specific installation, 156 x 170 inches
Photo of a blue house on the coast of Puerto Rico by Ruben Natal-San Miguel
Ruben Natal-San Miguel, Ruins of Hometown, La Perla, Old San Juan, Puerto Rico (2017), color screenprint/photo screenprint on canvas, 24 x 36 inches
An acrylic painting by Beatriz Williams of bananas hanging from a pole
Beatrice Williams, Madurando (2024), acrylic on canvas, 40 x 30 inches
Photo of Wanda Raimundi-Ortiz wearing elaborate costume made of blue tarp and other plastic
Wanda Raimundi-Ortiz (2021), gown designed in collaboration with costume designer Kristina Tollefson. Wanda Raimundi-Ortiz in rehearsal for Exodus Pilgrimage (2019) in Orlando. Photo by Dominique Di Paolo
Felix Plaza screen print of mannequin with pattern on bodice
Felix Piazza, “Flora – Rojo y verde” (1999-2020), gum bichromate and silkscreen, individually hand-cut on Rives BFK and other papers, 30 x 22.5 inches
Wall installation by Carlos Betancourt consisting of 12 square canvases with abstract compositions arranged in a 6 x 2 grid
Carlos Bettencourt, Eternal Future (Process as Ritual) (2018), pigment inkjet on fine art paper, 36 x 36 inches
An acrylic painting by Dave Ortiz depicting a vibrant geometric landscape centered on a barn
Dave Ortiz, Barnito Providencia (2024), acrylic on canvas, 60 x 48 inches
A painting of three women in dresses against a bright yellow background by Erica Morales
Erica Morales, You Will Lose Your House (2024), spray paint, fabric collage and pencil on paper, 30 x 22 inches

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