A beautiful brunette man with neck stuffed into his shoulders, strolls through the museum gallery, scanning the artwork on the walls. A defender who played zing didn’t notice the suspiciousness of the man investigating the object in the view. The man played by Josh O’Connor robs a revolutionary war from the case outside the window before quitting the museum with his two sons and wife (Alana Haim). The thief is a family man, and this little crime paves the way for Kelly Reichardt’s bigger crime Plannerserved as world prime minister at the Cannes Film Festival last month and will be released by Mooby later this year.
The character of O’Connor, nicknamed JB’s carpenter, will be the mastermind, just part of the tension that tied this quiet suspense film together. We know nothing about JB for most of the movie. Figuring out who he is and what drives him is almost as important as knowing whether he will get rid of the master plan. Sometimes his motivation seems boring.
JB’s portrait is engraved with scattered lenses, just as the lens becomes the focus. He seemed to be an art lover, making drawings based on four Arthur pigeon paintings. He ordered them to be careful as his accomplices began stabbing the artwork, driving behind the stolen car for months. He briefly displayed them in the living room, spent a few seconds observing them, and then stored them in the barn.
JB’s lack of purpose and his appreciation for art recalls two characters from previous Reichardt films. exist AppearMichelle Williams premiered in Cannes in 2022, playing Oregon-based sculptor and professor Lizzy, who is preparing for a solo exhibition. exist Wendy and Lucy (2008), Williams is Wendy, an art school dropout cash searching for her dog, Lucy. By contrast, JB seemed to have to be sure and confident at first. He quickly stood up while planning the robbery, looking quite sure of himself, but as the film unfolded, the exterior wall began to disperse.
for PlannerReichardt, from the 1972 robbery of the Worcester Museum of Art in Massachusetts, two instruments, one Picasso and one Rembrandt were stolen in the vast sunlight. The thief was arrested and the painting was restored a few days later. (The virtual Framingham Museum of Art for this film is actually the red brick Cleo Rogers Memorial Library designed by IM PEI in Columbus, Indiana. The form of a tree (1932), willow (1937), Tanks and snow shore (1938), and Yellow blue green (1941). Reichardt said the choice of American modernist doves known for its abstract landscapes shows that JB lacks ambition.
Aesthetically speaking, from American color photos of Stephen Shore and William Eggleston in this era to the background of the Vietnam War, the Worcester robbery in the 1970s took the film seriously. Pay special attention to the framework of each scene. Whether it is opened or closed, doors and windows seem to serve as metaphors for JB’s potential escape or his imprisonment. He often shows him through doors or window openings, giving the impression that we are monitoring JB or tail
sometimes, Planner The boundaries of comedy. The robbery itself is interesting: several amateurs with red hands on their heads wearing nylon socks, instead of being caught by sleeping guards, are a young girl who disguises the art of French – “Ennuyeux”, “dépravé”, “dépravé”, “toctice”, “toctice”, “toctice” (forkite, dellavaveed of, defavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavavava They still managed to escape, though not without delays. Later, JB’s father, played by Bill Camp, pointed out: “Those abstract paintings deserve so much trouble, that’s unimaginable.” Planner It is a film that interlocks mysterious, humorous and artistic gracefully.
