Frances Priest Ceramics’ vibrant patterns exudes historical and international influence – huge
Amid the bright color effusion, Frances Priest creates ceramic containers, ceramic tiles and sculptural forms that explore pattern possibilities. The Edinburgh-based artist’s interest in decorative patterns stems from a book she received as a child Decorative syntax Owen Jones, originally published in 1856.
Jones has compiled well-decorated patterns documents from Europe, the Middle East and other regions represented in the British Museum’s collection. International focus has long inspired the pastor, who incorporates various visual languages into her work.
The priest (formerly) emphasizes geometric shapes and colors, blending precise thoughts with organic movements – some of which seem to surface or overlap with others rather than maintaining perfect consistency. She also continues to pattern at the bottom of the fragments, emphasizing all-round integrity.
Recent works include a series of cylindrical containers with Chinese ginger jar lids. The artist recently completed a large tile board of the theater Clwyd in North Wales, called “Stellar” and was scattered with a series of charming floral tiles on the floor of the garden at the 2025 RHS Chelsea Chelsea Flower Show in London.
If you are in Edinburgh, see the work of the pastor at the upcoming group exhibition Fragments, From July 5th to 30th. Find more information on the artist’s Instagram and website, some of the works shown here are available for purchase in her store.
